@incollection{FinkenbergerHerbertMalornyetal.2019,
  author    = {Finkenberger, Isabel Maria and Herbert, Saskia and Malorny, Thomas and Koch, Christian},
  title     = {Perforierte Wirklichkeit und m{\"o}gliche Zuk{\"u}nfte : ein Gespr{\"a}ch},
  series = {Komplement und Verst{\"a}rker : zum Verh{\"a}ltnis von Stadtplanung, k{\"u}nstlerischen Praktiken und Kulturinstitutionen},
  booktitle = {Komplement und Verst{\"a}rker : zum Verh{\"a}ltnis von Stadtplanung, k{\"u}nstlerischen Praktiken und Kulturinstitutionen},
  publisher = {JOVIS Verlag},
  address   = {Berlin},
  isbn      = {978-3-86859-578-9},
  pages     = {108 -- 129},
  year      = {2019},
  language  = {de}
}
@article{Finkenberger2019,
  author    = {Finkenberger, Isabel Maria},
  title     = {Bodenpolitik als Instrument strategischer Transformation},
  series = {UrbanLab-Magazin : Fachzeitschrift f{\"u}r Stadt- und Quartierplanung},
  volume    = {2019},
  journal   = {UrbanLab-Magazin : Fachzeitschrift f{\"u}r Stadt- und Quartierplanung},
  number    = {05},
  pages     = {18 -- 25},
  year      = {2019},
  language  = {de}
}
@book{StapenhorstMeerbach2019,
  author    = {Stapenhorst, Carolin and Meerbach, Kerstin},
  title     = {Studie zur forschungsbezogenen Lehre an der Fakult{\"a}t f{\"u}r Architektur der RWTH Aachen},
  publisher = {RWTH Aachen},
  address   = {Aachen},
  doi       = {10.18154/rWth-2019-06163},
  pages     = {140 Seiten},
  year      = {2019},
  language  = {de}
}
@incollection{Stapenhorst2019,
  author    = {Stapenhorst, Carolin},
  title     = {Heimat entwerfen?},
  series = {Das Eigene und das Fremde - Heimat in Zeiten der Mobilit{\"a}t},
  booktitle = {Das Eigene und das Fremde - Heimat in Zeiten der Mobilit{\"a}t},
  editor    = {Hasse, J{\"u}rgen},
  publisher = {Karl Alber},
  address   = {Baden-Baden},
  isbn      = {978-3-495-49029-7 (print)},
  doi       = {10.5771/9783495817568},
  pages     = {215 -- 246},
  year      = {2019},
  language  = {de}
}
@inproceedings{PfaffSchmidtWilbringetal.2019,
  author    = {Pfaff, Raphael and Schmidt, Bernd and Wilbring, Daniela and Franzen, Julian},
  title     = {Wagon4.0 - the smart wagon for improved integration into Industry 4.0 plants},
  series = {Proceedings of the International Heavy Haul Association STS Conference 2019},
  booktitle = {Proceedings of the International Heavy Haul Association STS Conference 2019},
  pages     = {7 Seiten},
  year      = {2019},
  abstract  = {In many instances, freight vehicles exchange load or information with plants that are or will soon be Industry4.0 plants. The Wagon4.0 concept, as developed in close cooperation with e.g. port or mine operations, offers a maximum in railway operational efficiency while providing strong business cases already in the respective plant interaction. The Wagon4.0 consists of main components, a power supply, data network, sensors, actuators and an operating system, the so called WagonOS. The Wagon OS is implemented in a granular, self-sufficient manner, to allow basic features such as WiFi-Mesh and train christening in remote areas without network connection. Furthermore, the granularity of the operating system allows to extend the familiar app concept to freight rail rolling stock, making it possible to use specialised actuators for certain applications, e.g. an electrical parking brake or an auxiliary drive. In order to facilitate migration to the Wagon4.0 for existing fleets, a migration concept featuring five levels of technical adaptation was developed. The present paper investigates the benefits of Wagon4.0-implementations for the particular challenges of heavy haul operations by focusing on train christening, ep-assisted braking, autonomous last mile and traction boost operation as well as improved maintenance schedules},
  language  = {en}
}
@incollection{Stapenhorst2019,
  author    = {Stapenhorst, Carolin},
  title     = {Werkzeuge und ihre Wirkungsmacht},
  series = {Werkbund Akademiereihe. hefte 19-20 / 2017-2018},
  booktitle = {Werkbund Akademiereihe. hefte 19-20 / 2017-2018},
  editor    = {Deutscher Werkbund NW e.V.,},
  isbn      = {978-3-00-062587-9},
  pages     = {62 -- 74},
  year      = {2019},
  language  = {de}
}
@article{FinkenbergerVeil2020,
  author    = {Finkenberger, Isabel Maria and Veil, Katja},
  title     = {R{\"a}umliche Transformation},
  series = {RaumPlanung : Fachzeitschrift f{\"u}r r{\"a}umliche Planung und Forschung},
  volume    = {205},
  journal   = {RaumPlanung : Fachzeitschrift f{\"u}r r{\"a}umliche Planung und Forschung},
  number    = {1},
  publisher = {IfR (Informationskreis f{\"u}r Raumplanung)},
  address   = {Dortmund},
  issn      = {0176-7534},
  pages     = {6 -- 11},
  year      = {2020},
  language  = {de}
}
@incollection{Stapenhorst2020,
  author    = {Stapenhorst, Carolin},
  title     = {Multidimensionale Arbeitsbl{\"a}tter},
  series = {Artefakte des Entwerfens},
  booktitle = {Artefakte des Entwerfens},
  editor    = {Lyngs{\o} Christensen, Rikke and Drach, Ekkerhard and Gasperoni, Lidia and Hallama, Doris and Hougaard, Anna Katrine and Liptau, Ralf},
  publisher = {Universit{\"a}tsverlag der TU Berlin},
  address   = {Berlin},
  isbn      = {978-3-7983-3256-0},
  issn      = {2566-9656},
  doi       = {10.14279/depositonce-8508.2},
  pages     = {202 -- 224},
  year      = {2020},
  abstract  = {K{\"o}nnen wir Skizzenbl{\"a}tter, die gemischte Systeme von Text und Bildanteilen zeigen, als r{\"a}umliche und zeitliche Verdichtung von Reflexionsmilieus verstehen? Wie wirkt sich die durch die r{\"a}umliche Begrenzung des Blatts bedingte gleichzeitige Anwesenheit von Text und Bild aus, welche Wechselwirkungen entfalten sich? Diese Fragenstellungen f{\"u}hren zur Definition der ‚Multidimensionalen Arbeitsbl{\"a}tter', die als geeignetes Medium der Analyse von entwerferischen Denkprozessen verstanden werden. Anhand von f{\"u}nf Beispielen wird beschrieben, wie durch dekompositorische Prozeduren Zeichnungsgenealogien sichtbar gemacht werden k{\"o}nnen, die intensive Auskunft {\"u}ber Entwurfshandlungen geben.},
  language  = {de}
}
@article{StapenhorstDutto2020,
  author    = {Stapenhorst, Carolin and Dutto, Andrea Alberto},
  title     = {Turin: Industriedenkmal wird Kulturzentrum wird Lazarett},
  series = {Bauwelt},
  volume    = {111},
  journal   = {Bauwelt},
  number    = {13},
  publisher = {Bauverlag BV},
  address   = {G{\"u}tersloh},
  issn      = {0005-6855},
  pages     = {56 -- 59},
  year      = {2020},
  language  = {de}
}
@article{AsarStapenhorst2020,
  author    = {Asar, Hande and Stapenhorst, Carolin},
  title     = {Zvi Hecker: Drawing on drawing},
  series = {Archives of Design Research},
  volume    = {33},
  journal   = {Archives of Design Research},
  number    = {3},
  publisher = {Korean Society of Design Science},
  address   = {Seongnam},
  issn      = {1226-8046},
  doi       = {10.15187/adr.2020.08.33.3.45},
  pages     = {45 -- 53},
  year      = {2020},
  abstract  = {Background: Architectural representation, nurtured by the interaction between design thinking and design action, is inherently multi-layered. However, the representation object cannot always reflect these layers. Therefore, it is claimed that these reflections and layerings can gain visibility through 'performativity in personal knowledge', which basically has a performative character. The specific layers of representation produced during the performativity in personal knowledge permit insights about the 'personal way of designing' [1]. Therefore, the question, 'how can these layered drawings be decomposed to understand the personal way of designing', can be defined as the beginning of the study. On the other hand, performativity in personal knowledge in architectural design is handled through the relationship between explicit and tacit knowledge and representational and non-representational theory. To discuss the practical dimension of these theoretical relations, Zvi Hecker's drawing of the Heinz-Galinski-School is examined as an example. The study aims to understand the relationships between the layers by decomposing a layered drawing analytically in order to exemplify personal ways of designing. Methods: The study is based on qualitative research methodologies. First, a model has been formed through theoretical readings to discuss the performativity in personal knowledge. This model is used to understand the layered representations and to research the personal way of designing. Thus, one drawing of Hecker's Heinz-Galinski-School project is chosen. Second, its layers are decomposed to detect and analyze diverse objects, which hint to different types of design tools and their application. Third, Zvi Hecker's statements of the design process are explained through the interview data [2] and other sources. The obtained data are compared with each other. Results: By decomposing the drawing, eleven layers are defined. These layers are used to understand the relation between the design idea and its representation. They can also be thought of as a reading system. In other words, a method to discuss Hecker's performativity in personal knowledge is developed. Furthermore, the layers and their interconnections are described in relation to Zvi Hecker's personal way of designing. Conclusions: It can be said that layered representations, which are associated with the multilayered structure of performativity in personal knowledge, form the personal way of designing.},
  language  = {en}
}