@phdthesis{Stapenhorst2012,
  author    = {Stapenhorst, Carolin},
  title     = {The concept as an operant instrument within the interdisciplinarity of the architectural design process},
  publisher = {Politecnico di Torino},
  address   = {Turin},
  pages     = {242 Seiten},
  year      = {2012},
  abstract  = {In the introduction to their book "What is philosophy?" Gilles Deleuze and Felix Guattari deplore the inflationary and trivialised use of the term concept: "Finally, the most shameful moment came when computer science, marketing, design and advertising, all the disciplines of communication, seized hold of the word concept itself and said: 'This is our concern, we are the creative ones, we are the ideas men! We are the friends of the concept, we put in our computers.' " This doctoral thesis shares the concern of Gilles Deleuze and Felix Guattari, but still, it is a thesis in architecture and thus collocated within the field of the representatives of the "ideas men". It engages in architectural design theory, and refers in particular to the investigation of methodological approaches within the design process. Therefore, the thesis will not contribute to the philosophical dimension of the term, but intends to overcome its imprecise use within the architectural discourse, in compliance with Eug{\`e}ne Viollet-le-Duc's admonition relative to vague definitions: "Dans les arts, et dans l'architecture en particulier, les d{\´e}finitions vagues ont caus{\´e} bien des erreurs, ont laiss{\´e} germer bien des pr{\´e}jug{\´e}s, enraciner bien des id{\´e}es fausses. On met un mot en avant, chacun y attache un sens diff{\´e}rent." The term concept in architecture is very often used as pure marketing collateral, it serves to sell an idea, a product, a design. Its functional applicability is reduced to a special manner of illustration, produced as one of the various design presentation documents at the end of the design process. In contrast, the original contribution of this thesis aims to give a precise, instrumental dimension to the term concept: the concept is the expression of a specific logic, capable to guide the decisional sequences of the process and thus to improve the quality of the designed projects. The motivation to define a specific instrumentality of the concept is closely connected to the issue of interdisciplinarity in the architects' profession. The interdisciplinary character of the architectural field is widely accepted and discussed as such, but the thesis intends to give a more precise definition of the various kinds of competences involved by classifying them into either the internal or the external group. The traditional notion of interdisciplinarity, predominantly seen as collaboration between architects and technical experts, and, most notably, the historical, sometimes contentious, relationship between architects and engineers is described. Referring to recent developments, the transformation of the architect's role within the professional sphere, marked by an increasing importance of diverse influences and linked to a growing risk of marginalisation, is illustrated. The thesis describes different ways to adapt to this specific kind of interdisciplinarity, which generally requires the architect's ability to connect and to integrate various contents, different points of view and diverse scales. On the other hand, the big potential which is implicit in the interdisciplinary field is exposed: architects can inform their core competence, the design, by extracting contents of different disciplinary competences, pertaining or not pertaining to their own professional field. They have the possibility to cross fields of external competences in a selective way and by doing so they can build up a corpus of knowledge capable to generate and communicate guidelines and systematic methodologies for their design. At the end, the analysis of these two aspects allows the definition of a more specific professional profile of the architect as specialist of interdisciplinarity. The thesis is concerned with the theories around the design process. The design process is seen as open to inspection and critical evaluation, with major focus on the decisional sequences which characterise it. It concentrates on the process' descriptiveness and the degree of self-conscious approaches applied within it. The importance of regulative, strategic mechanisms is illustrated by testimonies taken from a series of design researches and leads to the functional definition of the figure of the concept as representation of a coherent set of ideas, as generator of a project-specific system of rules and as communicator of decisional strategies. The concept's function is furthermore defined as communicative interface which generates and transmits the system of rules authoritative for all the disciplinary competences involved in the design process, a communicative interface which constitutes a basis of shared convictions capable to increase the efficiency of collaboration. Furthermore, the concept's capacity to explore and elaborate the contents of external disciplines is identified as a possible methodological approach to innovative design thinking. The approach to a specific functional definition of the concept is continued by the description of a series of instruments that are simultaneously generating and communicating it. It is outlined to which degree the concept itself is already the result of an ideational process, collocated within the initial phase of the design proceedings, serving as a guideline to them, but still continuously evolving and adapting in its progression. In addition, it is illustrated how all the diverse instruments of the concept are operational media through which the knowledge transition between different disciplines can occur. The considerations about the concept as operational instrument of design are elaborated with regard to a number of examples of didactical applications that are particularly involved in the development and teaching of specific design methods. These examples illustrate the interrelations between design theory and design education. They are derived from very different schools of architecture and diverse mindsets, but all of them transmit models of conceptual design thinking.},
  language  = {en}
}
@misc{KeglerNaujokat2013,
  author    = {Kegler, Karl R. and Naujokat, Anke},
  title     = {Grenzwertig. (archimaera. 2013, H. 5) / Hrsg. des Heftes: Karl R. Kegler, Anke Naujokat},
  publisher = {HBZ},
  address   = {K{\"o}ln},
  isbn      = {1865-7001},
  pages     = {199 S. : zahlr. Ill.},
  year      = {2013},
  language  = {de}
}
@incollection{Naujokat2013,
  author    = {Naujokat, Anke},
  title     = {Schichtung, {\"U}berblendung, Collage. Formen und Bedeutungen architektonischer Simultaneit{\"a}t},
  series = {Simultaneit{\"a}t : Modelle der Gleichzeitigkeit in den Wissenschaften und K{\"u}nsten},
  booktitle = {Simultaneit{\"a}t : Modelle der Gleichzeitigkeit in den Wissenschaften und K{\"u}nsten},
  publisher = {transcript-Verlag},
  address   = {Bielefeld},
  isbn      = {978-3-8376-2261-4},
  pages     = {171 -- 190},
  year      = {2013},
  language  = {de}
}
@book{Tuennemann2013,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Formine Metaraum 2 : Workshop 2013 des Moduls Gestalten, FB Architektur der Hochschule Aachen},
  publisher = {FH Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {978-3-9811003-6-5},
  publisher      = {Fachhochschule Aachen},
  pages     = {132 S.},
  year      = {2013},
  language  = {de}
}
@article{Fissabre2013,
  author    = {Fissabre, Anke},
  title     = {Residenzarchitektur des Kurf{\"u}rstenpaares August und Anna von Sachsen als Ausdruck musterhafter Landeskultivierung - Das Renaissanceschloss Lichtenburg},
  series = {Mitteilungen der Residenzen-Kommission der Akademie der Wissenschaften zu G{\"o}ttingen, Neue Folge, Stadt und Hof},
  volume    = {2},
  journal   = {Mitteilungen der Residenzen-Kommission der Akademie der Wissenschaften zu G{\"o}ttingen, Neue Folge, Stadt und Hof},
  issn      = {0941-0937},
  pages     = {40 -- 59},
  year      = {2013},
  language  = {de}
}
@book{PieperBellingerBuggertetal.2013,
  author    = {Pieper, Jan and Bellinger, Reto and Buggert, Daniel and Finkeldei, Ines and Fissabre, Anke and Hake, Verena and Helmenstein, Caroline and Schindler, Bruno and Sch{\"o}tten, Bj{\"o}rn},
  title     = {Messen - zeichnen - verstehen : eine kritische Retrospektive auf Themen, Methoden und Trouvaillen der Baugeschichte von Jan Pieper und seinen Mitarbeitern an der TU Berlin und der RWTH Aachen (1983 - 2013)},
  publisher = {Geym{\"u}ller Verlag f{\"u}r Architektur},
  address   = {Aachen ; Berlin},
  isbn      = {978-3-943164-12-1},
  pages     = {64 S. : zahlr. Ill. und graph. Darst.},
  year      = {2013},
  language  = {de}
}
@article{FissabreKleutersLohmann2013,
  author    = {Fissabre, Anke and Kleuters, Elmar and Lohmann, Daniel},
  title     = {„Beweglicher und toleranter als jede alte Harmonie" : Das Haus der Jugend von Rudolf Schwarz und Hans Schwippert in Aachen},
  series = {In situ : Zeitschrift f{\"u}r Architekturgeschichte},
  volume    = {5},
  journal   = {In situ : Zeitschrift f{\"u}r Architekturgeschichte},
  number    = {2},
  publisher = {Werner},
  address   = {Worms},
  issn      = {1866-959X},
  pages     = {267 -- 274},
  year      = {2013},
  language  = {de}
}
@incollection{MatchaKarzelPahl2013,
  author    = {Matcha, Heike and Karzel, R{\"u}diger and Pahl, Katja-Annika},
  title     = {Lehre als Praxis als Forschung: 1:1 Entwicklung von Messest{\"a}nden unter Einsatz parametrisierter Software und computergesteuerter Herstellung},
  series = {ECHT?! Zum Bezug von Praxis und Lehre in der Architekturausbildung},
  booktitle = {ECHT?! Zum Bezug von Praxis und Lehre in der Architekturausbildung},
  publisher = {TUDpress - Verlag der Wissenschaften},
  address   = {Dresden},
  isbn      = {978-3-94433111-9},
  pages     = {95 -- 108},
  year      = {2013},
  language  = {de}
}
@incollection{Finkenberger2013,
  author    = {Finkenberger, Isabel Maria},
  title     = {Vox populi. (Transformations-)potenziale nachkriegsmoderner Freiraumressourcen},
  series = {Gr{\"u}n modern - G{\"a}rten und Parks der 1950er bis 1970er Jahre},
  booktitle = {Gr{\"u}n modern - G{\"a}rten und Parks der 1950er bis 1970er Jahre},
  editor    = {Bredenbeck, Martin},
  publisher = {BHU},
  address   = {Bonn},
  isbn      = {9783925374357},
  pages     = {31 -- 38},
  year      = {2013},
  language  = {de}
}
@article{Wilke2014,
  author    = {Wilke, Thomas},
  title     = {Gebaute Geschichte in Turin},
  series = {Kunsttexte.de},
  volume    = {2014},
  journal   = {Kunsttexte.de},
  number    = {1},
  publisher = {Humboldt-Universit{\"a}t zu Berlin},
  address   = {Berlin},
  issn      = {1618-8101},
  doi       = {10.18452/7197},
  pages     = {13 Seiten},
  year      = {2014},
  abstract  = {St{\"a}dte sind Stein gewordene Geschichte. Ihre realisierte Form erm{\"o}glicht Geschichte zu erleben und die Stadtentwicklung nachzuvollziehen. Besonders in Turin ist ablesbar, wie das Haus Savoyen den Ausbau der neuen Hauptstadt zu einer der f{\"u}hrenden Barockmetropolen Europas beeinflusste.},
  language  = {de}
}
@article{FinkenbergerSchlaich2014,
  author    = {Finkenberger, Isabel Maria and Schlaich, Christoph},
  title     = {Mehr als Wohnen. Vom Zusammenleben in integrierten Nachbarschaften},
  series = {APuZ - Aus Politik und Zeitgeschichte},
  volume    = {2014},
  journal   = {APuZ - Aus Politik und Zeitgeschichte},
  number    = {20-21},
  publisher = {Bundeszentrale f{\"u}r politische Bildung - bpb},
  address   = {Bonn},
  issn      = {2194-3621},
  pages     = {46 -- 52},
  year      = {2014},
  abstract  = {Neue D{\"o}rfer braucht das Land! D{\"o}rfer in der Stadt und D{\"o}rfer auf dem Land (…). Die Planung und Gestaltung nachhaltiger Raumsysteme, die durch ein neues Verst{\"a}ndnis des gemeinschaftlichen Besitzes (und dessen Nutzung) ressourcenfressende Individualisierungstendenzen unserer Gesellschaft {\"u}berwinden, aber zugleich gr{\"o}ßtm{\"o}glichen Freiraum f{\"u}r eine individuelle Pers{\"o}nlichkeitsentfaltung zur Verf{\"u}gung stellen." Dieses Zitat der Hamburger Initiative "Wir sind Dorf" beschreibt eine aktuelle Diskussion in unserer Gesellschaft, die sowohl in der Forschung und forschungsgeleiteten Initiativen, in Politik und Planung als auch in der B{\"u}rger-schaft stattfindet. Sie wird nicht nur auf wissenschaftlichen Veranstaltungen gef{\"u}hrt, sondern auch in konkreten Projekten f{\"u}r integrative Lebenswelten, die Fragestellungen von Ern{\"a}hrung und Energieversorgung, von Arbeit und {\"O}konomie, aber auch eines neuen r{\"a}umlichen und sozialen Miteinanders einbeziehen. Anders als bei den weit verbreiteten Baugruppen geht es nicht ausschließlich um die Schaffung von Wohnraum. Die Nachbarschaftsidee verbindet das Bed{\"u}rfnis nach gemeinschaftlichem Wohnen und Wirtschaften mit einer neuen Werteorientierung, die auf pers{\"o}nlicher Verantwortungs{\"u}bernahme beruht.},
  language  = {de}
}
@article{Finkenberger2014,
  author    = {Finkenberger, Isabel Maria},
  title     = {Vox populi. (Transformations-)potenziale nachkriegsmoderner Freiraumressourcen},
  series = {Stadt+Gr{\"u}n},
  volume    = {2014},
  journal   = {Stadt+Gr{\"u}n},
  number    = {1},
  publisher = {Patzer},
  address   = {Berlin},
  issn      = {0948-9770},
  pages     = {31 -- 35},
  year      = {2014},
  abstract  = {Heute wie damals werden die großz{\"u}gigen und offenen Siedlungsstrukturen der ersten Nachkriegsjahrzehnte mit ihrem hohen Anteil an "Gr{\"u}n" vielfach gesch{\"a}tzt und als solche nicht grundlegend hinterfragt. "Gr{\"u}n" verheißt im Allgemeinen Licht, Luft und Sonne, Freizeit und Erholung und gilt als etwas W{\"u}nschenswertes im st{\"a}dtischen Kontext. Unbeachtet bleibt, dass dem Begriff "Gr{\"u}n" zun{\"a}chst keine Eigenschaften oder Qualit{\"a}ten zugewiesen sind - er sagt noch lange nichts {\"u}ber dessen r{\"a}umliche Qualit{\"a}t, dessen Nutzbarkeit, Erreichbarkeit und Zug{\"a}nglichkeit aus. Abstandsgr{\"u}n und Straßenbegleitgr{\"u}n ist eben auch "Gr{\"u}n". Neben einer quantitativen Argumentation, welche {\"o}kologischen Aspekte wie Biotopvernetzung, Stadt- und Mikroklima ber{\"u}cksichtigt, sollten wir verst{\"a}rkt qualitativ denken und damit die Grundlage f{\"u}r einen erweiterten und wesentlich differenzierteren Diskurs {\"u}ber urbane Freir{\"a}ume ebnen.},
  language  = {de}
}
@incollection{Stapenhorst2014,
  author    = {Stapenhorst, Carolin},
  title     = {Organizzare l'addizione},
  series = {Atlante di progettazione architettonica},
  booktitle = {Atlante di progettazione architettonica},
  editor    = {Palma, Riccardo and Ravagnati, Carlo},
  publisher = {Citt{\`a}StudiEdizioni},
  address   = {Mailand},
  isbn      = {978-88-251-7385-7},
  pages     = {490 -- 505},
  year      = {2014},
  language  = {it}
}
@book{Tuennemann2015,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Formine : Postament - a private view in Kooperation mit A Trans Galerie, Berlin},
  publisher = {FH Aachen},
  address   = {Aachen},
  isbn      = {978-3-9811003-7-2},
  publisher      = {Fachhochschule Aachen},
  pages     = {78 S.},
  year      = {2015},
  abstract  = {Workshop Formine 2015 mit Projekten von Antonia Zajgia, Arnoud Charoy, Laura Viktoria Koch, Kai Stein, Ferdinand Klopfer, Florian D. Heinz, Tobias Scholz, Moritz Gn{\"a}dinger, Pablo Raphael, Franko Scheuplein, Thomas T{\"u}nnemann, Ren{\´e} Großner, Anny Phung, Mylenne Jakob-Wendel, Kira Joerißen, Florian Erber, Julian Wesse und Isolde Nagel},
  language  = {de}
}
@article{FissabreNiethammer2015,
  author    = {Fissabre, Anke and Niethammer, Bernhard},
  title     = {System mit H{\"u}lle - Die innovativen Bauten der Steiff-Spielwarenfabrik in Giengen an der Brenz},
  series = {In situ : Zeitschrift f{\"u}r Architekturgeschichte},
  volume    = {7},
  journal   = {In situ : Zeitschrift f{\"u}r Architekturgeschichte},
  number    = {2},
  publisher = {Wernersche Verlagsgesellschaft},
  address   = {Worms},
  issn      = {1866-959X},
  pages     = {247 -- 262},
  year      = {2015},
  language  = {de}
}
@inproceedings{Fissabre2015,
  author    = {Fissabre, Anke},
  title     = {Die Augsburger Dachterrassen der Renaissance},
  series = {Lutherstadt Wittenberg, Torgau und der Hausbau im 16. Jahrhundert : Bericht {\"u}ber die Tagung des Arbeitskreises f{\"u}r Hausforschung e.V. in der Lutherstadt Wittenberg vom 19.-13. Oktober 2011.},
  booktitle = {Lutherstadt Wittenberg, Torgau und der Hausbau im 16. Jahrhundert : Bericht {\"u}ber die Tagung des Arbeitskreises f{\"u}r Hausforschung e.V. in der Lutherstadt Wittenberg vom 19.-13. Oktober 2011.},
  publisher = {Jonas Verlag f{\"u}r Kunst und Literatur},
  address   = {Marburg},
  isbn      = {978-3-89445-517-0},
  pages     = {571 -- 585},
  year      = {2015},
  language  = {de}
}
@article{Fissabre2015,
  author    = {Fissabre, Anke},
  title     = {Konstruktion und Raumform im Kirchenbau der Moderne : Die L{\"a}ngsbinderkirchen von Hans Herkommer},
  series = {In situ : Zeitschrift f{\"u}r Architekturgeschichte},
  volume    = {7},
  journal   = {In situ : Zeitschrift f{\"u}r Architekturgeschichte},
  number    = {1},
  publisher = {Wernersche Verlagsgesellschaft},
  address   = {Worms},
  issn      = {1866-959X},
  pages     = {117 -- 124},
  year      = {2015},
  language  = {de}
}
@article{Wilke2015,
  author    = {Wilke, Thomas},
  title     = {[Rezension zu: ] Yvonne Prinzessin von Cro{\"y}: Das H{\^o}tel de Galliffet (1784-1792). Pariser Baupraxis undAusstattungskunst am feudalen Privatbau des ausgehenden Ancien R{\´e}gime, Hildesheim: Olms 2014},
  series = {Sehepunkte},
  volume    = {15},
  journal   = {Sehepunkte},
  number    = {9},
  issn      = {1618-6168},
  year      = {2015},
  language  = {de}
}
@incollection{Wilke2015,
  author    = {Wilke, Thomas},
  title     = {Weltkulturerbe(n). Die Residenzen des Hauses Savoyen in Turin und Umgebung},
  series = {WeltkulturerbeN : Formen, Funktionen und Objekte kulturellen Erinnerns im und an das Mittelalter : Vortr{\"a}ge der Ringvorlesung des Zentrums f{\"u}r Mittelalterstudien der Otto-Friedrich-Universit{\"a}t Bamberg im Sommersemester 2013},
  booktitle = {WeltkulturerbeN : Formen, Funktionen und Objekte kulturellen Erinnerns im und an das Mittelalter : Vortr{\"a}ge der Ringvorlesung des Zentrums f{\"u}r Mittelalterstudien der Otto-Friedrich-Universit{\"a}t Bamberg im Sommersemester 2013},
  editor    = {Schindler, Andrea},
  publisher = {University of Bamberg Press},
  address   = {Bamberg},
  isbn      = {978-3-86309-385-3},
  pages     = {167 -- 196},
  year      = {2015},
  language  = {de}
}
@incollection{Wilke2015,
  author    = {Wilke, Thomas},
  title     = {Lepautre},
  series = {Allgemeines K{\"u}nstler-Lexikon. Bd. 84},
  booktitle = {Allgemeines K{\"u}nstler-Lexikon. Bd. 84},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-023189-2},
  pages     = {157 -- 160},
  year      = {2015},
  language  = {de}
}