@inproceedings{Wollert2001,
  author    = {Wollert, J{\"o}rg},
  title     = {Webbased Control technischer Anlagen},
  series = {Virtuelle Laboratorien : Vortr{\"a}ge zum 52. Berg- und H{\"u}ttenm{\"a}nnischen Tag 2001 in Freiberg},
  booktitle = {Virtuelle Laboratorien : Vortr{\"a}ge zum 52. Berg- und H{\"u}ttenm{\"a}nnischen Tag 2001 in Freiberg},
  publisher = {TU Bergakademie},
  address   = {Freiberg},
  organization    = {Berg- und H{\"u}ttenm{\"a}nnischer Tag <52, 2001, Freiberg>},
  isbn      = {3860121456},
  pages     = {111 -- 120},
  year      = {2001},
  language  = {de}
}
@article{Wilke2017,
  author    = {Wilke, Thomas},
  title     = {Newly found plans for the chapel of the Holy Shroud},
  series = {Studi Piemontesi},
  volume    = {XLVI},
  journal   = {Studi Piemontesi},
  number    = {1},
  issn      = {0392-7261},
  pages     = {75 -- 85},
  year      = {2017},
  language  = {en}
}
@article{Wilke2017,
  author    = {Wilke, Thomas},
  title     = {[Rezension zu:] Deutsch, Kristina: Jean Marot. Un graveur d'architecture {\`a} l'{\´e}poque de Louis XIV. (= Ars et Scientia; 12), Berlin; Boston 2015.},
  series = {ArtHist.net},
  journal   = {ArtHist.net},
  year      = {2017},
  language  = {de}
}
@article{Wilke2015,
  author    = {Wilke, Thomas},
  title     = {[Rezension zu: ] Yvonne Prinzessin von Cro{\"y}: Das H{\^o}tel de Galliffet (1784-1792). Pariser Baupraxis undAusstattungskunst am feudalen Privatbau des ausgehenden Ancien R{\´e}gime, Hildesheim: Olms 2014},
  series = {Sehepunkte},
  volume    = {15},
  journal   = {Sehepunkte},
  number    = {9},
  issn      = {1618-6168},
  year      = {2015},
  language  = {de}
}
@article{Wilke2011,
  author    = {Wilke, Thomas},
  title     = {[Rezension zu: ] Simone Meyder: "Mehr k{\"o}niglich als frei". Robert de Cotte und das Bauen in Straßburgnach 1681, M{\"u}nster: Waxmann 2010},
  series = {Sehepunkte},
  volume    = {11},
  journal   = {Sehepunkte},
  number    = {2},
  issn      = {1618-6168},
  year      = {2011},
  language  = {de}
}
@article{Wilke2008,
  author    = {Wilke, Thomas},
  title     = {[Rezension zu: ] Gundula Lang: B{\"u}rgerliche Privatg{\"a}rten in deutschen Landen um 1800. Fallstudien zu Gestalt, Nutzung und Bedeutung im Kontext des gesellschaftlichen Umbruchs, Worms: Wernersche Verlagsgesellschaft 2007},
  series = {Sehepunkte},
  volume    = {8},
  journal   = {Sehepunkte},
  number    = {9},
  issn      = {1618-6168},
  year      = {2008},
  language  = {de}
}
@article{Wilke2012,
  author    = {Wilke, Thomas},
  title     = {Architekturzeichnung als Instrument der Theoriebildung. Lineamenta vs. Portraicture - Architekturdarstellung zwischen Wissenschaft und {\"O}ffentlichkeit. Tagung des DFG-Netzwerks-Schnittstelle Bild in Zusammenarbeit mit dem Lehrstuhl f{\"u}r Kunstgeschichte der Universit{\"a}t Regensburg, 28.4.2012.},
  series = {Kunstchronik},
  volume    = {65},
  journal   = {Kunstchronik},
  number    = {9/10},
  publisher = {Fachverlag Hans Carl},
  address   = {N{\"u}rnberg},
  issn      = {0023-5474},
  pages     = {494 -- 499},
  year      = {2012},
  language  = {de}
}
@article{Wilke2006,
  author    = {Wilke, Thomas},
  title     = {[Tagungsbericht zu:] Bourbon - Habsburg - Oranien 1700 (Marburg, 19. - 21.10.2006).},
  series = {ArtHist.net},
  journal   = {ArtHist.net},
  year      = {2006},
  language  = {de}
}
@book{Wilke2016,
  author    = {Wilke, Thomas},
  title     = {Innendekoration : graphische Vorlagen und theoretische Vorgaben f{\"u}r die wandfeste Dekoration von Appartement im 17. und 18. Jahrhundert in Frankreich},
  publisher = {scaneg Verlag},
  address   = {M{\"u}nchen},
  isbn      = {978-3-89235-233-4},
  pages     = {2 B{\"a}nde},
  year      = {2016},
  language  = {de}
}
@incollection{Wilke2015,
  author    = {Wilke, Thomas},
  title     = {Weltkulturerbe(n). Die Residenzen des Hauses Savoyen in Turin und Umgebung},
  series = {WeltkulturerbeN : Formen, Funktionen und Objekte kulturellen Erinnerns im und an das Mittelalter : Vortr{\"a}ge der Ringvorlesung des Zentrums f{\"u}r Mittelalterstudien der Otto-Friedrich-Universit{\"a}t Bamberg im Sommersemester 2013},
  booktitle = {WeltkulturerbeN : Formen, Funktionen und Objekte kulturellen Erinnerns im und an das Mittelalter : Vortr{\"a}ge der Ringvorlesung des Zentrums f{\"u}r Mittelalterstudien der Otto-Friedrich-Universit{\"a}t Bamberg im Sommersemester 2013},
  editor    = {Schindler, Andrea},
  publisher = {University of Bamberg Press},
  address   = {Bamberg},
  isbn      = {978-3-86309-385-3},
  pages     = {167 -- 196},
  year      = {2015},
  language  = {de}
}
@incollection{Wilke2016,
  author    = {Wilke, Thomas},
  title     = {Planning Process of the Di Castellamonte's Chapel of the Holy Shroud},
  series = {Carlo e Amedeo di Castellamonte : 1571-1683, ingegneri e architetti per i duchi di Savoia},
  booktitle = {Carlo e Amedeo di Castellamonte : 1571-1683, ingegneri e architetti per i duchi di Savoia},
  editor    = {Merlotti, Andrea},
  publisher = {Campisano editore},
  address   = {Rom},
  isbn      = {978-88-98229-57-4},
  pages     = {141 -- 152},
  year      = {2016},
  language  = {en}
}
@article{Wilke2014,
  author    = {Wilke, Thomas},
  title     = {Gebaute Geschichte in Turin},
  series = {Kunsttexte.de},
  volume    = {2014},
  journal   = {Kunsttexte.de},
  number    = {1},
  publisher = {Humboldt-Universit{\"a}t zu Berlin},
  address   = {Berlin},
  issn      = {1618-8101},
  doi       = {10.18452/7197},
  pages     = {13 Seiten},
  year      = {2014},
  abstract  = {St{\"a}dte sind Stein gewordene Geschichte. Ihre realisierte Form erm{\"o}glicht Geschichte zu erleben und die Stadtentwicklung nachzuvollziehen. Besonders in Turin ist ablesbar, wie das Haus Savoyen den Ausbau der neuen Hauptstadt zu einer der f{\"u}hrenden Barockmetropolen Europas beeinflusste.},
  language  = {de}
}
@incollection{Wilke2010,
  author    = {Wilke, Thomas},
  title     = {Piemont - Grenzregion zwischen Frankreich und Italien},
  series = {Sehnsucht Italien - Die sch{\"o}nsten Kunstlandschaften von Piemont bis Sizilien},
  booktitle = {Sehnsucht Italien - Die sch{\"o}nsten Kunstlandschaften von Piemont bis Sizilien},
  editor    = {Heussler, Carla},
  publisher = {WBG},
  address   = {Darmstadt},
  isbn      = {978-3-534-22986-4},
  pages     = {13 -- 24},
  year      = {2010},
  language  = {de}
}
@incollection{Wilke2010,
  author    = {Wilke, Thomas},
  title     = {Vorlagegraphik versus K{\"u}nstlergraphik: {\"U}berlegungen zu Jean Lepautres Kupferstichfolgen f{\"u}r die Innenraumgestaltung},
  series = {Druckgraphik : zwischen Reproduktion und Invention},
  booktitle = {Druckgraphik : zwischen Reproduktion und Invention},
  editor    = {Castor, Markus A.},
  publisher = {Dt. Kunstverl.},
  address   = {Berlin},
  isbn      = {978-3-422-06940-4},
  pages     = {419 -- 432},
  year      = {2010},
  language  = {de}
}
@incollection{Wilke2007,
  author    = {Wilke, Thomas},
  title     = {Architektonische Innovation in Deutschland und Italien vor 1848: Gottfried Semper und Alessandro Antonelli},
  series = {Gottfried Semper - Dresden und Europa : die moderne Renaissance der K{\"u}nste ; Akten des Internationalen Kolloquiums der Technischen Universit{\"a}t Dresden aus Anlass des 200. Geburtstags von Gottfried Semper},
  booktitle = {Gottfried Semper - Dresden und Europa : die moderne Renaissance der K{\"u}nste ; Akten des Internationalen Kolloquiums der Technischen Universit{\"a}t Dresden aus Anlass des 200. Geburtstags von Gottfried Semper},
  editor    = {Karge, Henrik},
  publisher = {Dt. Kunstverl.},
  address   = {Berlin},
  isbn      = {3-422-06606-3},
  pages     = {277 -- 288},
  year      = {2007},
  language  = {de}
}
@article{Wilke2004,
  author    = {Wilke, Thomas},
  title     = {Vergessene Planungen - Die Kapelle im Neuen Schloß in Stuttgart},
  series = {Zeitschrift f{\"u}r w{\"u}rttembergische Landesgeschichte (ZWLG)},
  volume    = {63},
  journal   = {Zeitschrift f{\"u}r w{\"u}rttembergische Landesgeschichte (ZWLG)},
  issn      = {0044-3786},
  pages     = {169 -- 201},
  year      = {2004},
  language  = {de}
}
@incollection{Wilke2017,
  author    = {Wilke, Thomas},
  title     = {Peyre, Marie-Josephe},
  series = {Allgemeines K{\"u}nstler-Lexikon. Bd. 95},
  booktitle = {Allgemeines K{\"u}nstler-Lexikon. Bd. 95},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-023261-5},
  pages     = {301 -- 302},
  year      = {2017},
  language  = {de}
}
@incollection{Wilke2017,
  author    = {Wilke, Thomas},
  title     = {Peyre, Antoine-Francois},
  series = {Allgemeines K{\"u}nstler-Lexikon. Bd. 95},
  booktitle = {Allgemeines K{\"u}nstler-Lexikon. Bd. 95},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-023261-5},
  pages     = {300 -- 301},
  year      = {2017},
  language  = {de}
}
@incollection{Wilke2017,
  author    = {Wilke, Thomas},
  title     = {Patte, Pierre},
  series = {Allgemeines K{\"u}nstler-Lexikon. Bd. 94},
  booktitle = {Allgemeines K{\"u}nstler-Lexikon. Bd. 94},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-023260-8},
  pages     = {429 -- 430},
  year      = {2017},
  language  = {de}
}
@incollection{Wilke2017,
  author    = {Wilke, Thomas},
  title     = {Ranson, Pierre},
  series = {Allgemeines K{\"u}nstler-Lexikon. Online},
  booktitle = {Allgemeines K{\"u}nstler-Lexikon. Online},
  publisher = {De Gruyter},
  address   = {Berlin},
  year      = {2017},
  language  = {de}
}
@incollection{Wilke2015,
  author    = {Wilke, Thomas},
  title     = {Lepautre},
  series = {Allgemeines K{\"u}nstler-Lexikon. Bd. 84},
  booktitle = {Allgemeines K{\"u}nstler-Lexikon. Bd. 84},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-023189-2},
  pages     = {157 -- 160},
  year      = {2015},
  language  = {de}
}
@book{TuennemannAzzab2018,
  author    = {T{\"u}nnemann, Thomas and Azzab, Miriam},
  title     = {Sulla Strada : Workshop Formine 2018},
  publisher = {FH Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {978-3-9820159-0-3},
  publisher      = {Fachhochschule Aachen},
  pages     = {122 Seiten},
  year      = {2018},
  abstract  = {Impressum | Inhalt 03 Thomas T{\"u}nnemann | Unterwegs...am Wege 04 Projekte 06 Annelie Wirtz | Arrivato 08 Sebastian Rupp | Tracce Passate 18 Henri Boh | Terrazze sopra il lago 28 Hermann Stuzmann | L´Ammissione {\`e} Gratuita 32 Vivienne Scheidz | IL Potere dei Simboli 34 Felix Keller | Strada Infinita 38 Moran Dorner | Catturato nel Posto 42 Kevin Osterkamp | Vortice 46 Kristina Foidle | La Vespa e il Fico 52 Simon Rix | Sognare Sulla Strada 58 Jennifer Sikora | Strada Pietrosa 66 Sabrina Fr{\"o}mbgen | Bolla di Pensiero 72 Miriam Azzab | Il Momento 78 Georg M{\"o}rke | Sentiero stretto 84 Saskia Fr{\"o}mbgen | Nuova Prospetiva 90 Frank Drehsen | A grado a grado 96 Caronlin Gr{\"u}n | Le prospettive 100 Thomas T{\"u}nnemann | Flusso nella Foresta 104 Atmosph{\"a}risches Auf die K{\"u}che | Kulinarisches 114 Carpe Diem | Fotografisches 116},
  language  = {de}
}
@book{Tuennemann2011,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Meta-Raum - Formine : Kooperationsworkshop 2011 der Hochschulen Aachen, Architektur und Dortmund, Film / [Leitung und Konzeption: Astrid Busch ... Hrsg.: Thomas T{\"u}nnemann},
  publisher = {Fachhochschule Aachen, Fachbereich Architektur [u.a.]},
  address   = {Aachen},
  isbn      = {978-3-9811003-5-8},
  publisher      = {Fachhochschule Aachen},
  pages     = {81 S. : zahlr. Ill. ; DVD-Video (6:55 Min)},
  year      = {2011},
  language  = {de}
}
@book{Tuennemann2011,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Architektur Gestalten : Lehrkonzeptionen und Positionen in der Gestaltungslehre / T{\"u}nnemann, Thomas [Hrsg.]},
  publisher = {Fachhochschule Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {978-3-9811003-4-1},
  pages     = {199 S. : {\"u}berw. Ill.},
  year      = {2011},
  language  = {de}
}
@book{Tuennemann2011,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Der zweite Blick : Architektur gestalten},
  publisher = {Fachhochschule Aachen, Fachbereich Architektur},
  address   = {Aachen},
  pages     = {[40] S. : {\"u}berw. Ill.},
  year      = {2011},
  language  = {de}
}
@book{Tuennemann2010,
  author    = {T{\"u}nnemann, Thomas},
  title     = {formine 2010 ... ein Haus ... : Workshop ; Fachbereich Architektur / T{\"u}nnemann, Thomas [Red.]},
  publisher = {Fachhochschule Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {978-3-9811003-3-4},
  publisher      = {Fachhochschule Aachen},
  pages     = {65 S. : zahlr. Ill.},
  year      = {2010},
  language  = {de}
}
@book{Tuennemann2008,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Oder anders ... formine 2008 : Workshop ; Studieng{\"a}nge Architektur der Fachhochschule Aachen \& Hochschule Biberach / Frielingsdorf, Holger ; T{\"u}nnemann, Thomas ... (Hrsg.)},
  publisher = {Fachhochschule Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {978-3-9811003-2-7},
  pages     = {64 S. : zahlr. Ill.},
  year      = {2008},
  language  = {de}
}
@book{Tuennemann2007,
  author    = {T{\"u}nnemann, Thomas},
  title     = {So {\"a}hnlich ... formine 2007 : Workshop mit ArchitekturstudentInnen der Fachhochschule Aachen und der Hochschule Biberach / Frielingsdorf, Holger ; T{\"u}nnemann, Thomas ... (Hrsg.)},
  publisher = {Fachhochschule Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {978-39811003-1-0},
  pages     = {64 S. : zahlr. Ill.},
  year      = {2007},
  language  = {de}
}
@book{Tuennemann2015,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Formine : Postament - a private view in Kooperation mit A Trans Galerie, Berlin},
  publisher = {FH Aachen},
  address   = {Aachen},
  isbn      = {978-3-9811003-7-2},
  publisher      = {Fachhochschule Aachen},
  pages     = {78 S.},
  year      = {2015},
  abstract  = {Workshop Formine 2015 mit Projekten von Antonia Zajgia, Arnoud Charoy, Laura Viktoria Koch, Kai Stein, Ferdinand Klopfer, Florian D. Heinz, Tobias Scholz, Moritz Gn{\"a}dinger, Pablo Raphael, Franko Scheuplein, Thomas T{\"u}nnemann, Ren{\´e} Großner, Anny Phung, Mylenne Jakob-Wendel, Kira Joerißen, Florian Erber, Julian Wesse und Isolde Nagel},
  language  = {de}
}
@book{Tuennemann2013,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Formine Metaraum 2 : Workshop 2013 des Moduls Gestalten, FB Architektur der Hochschule Aachen},
  publisher = {FH Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {978-3-9811003-6-5},
  publisher      = {Fachhochschule Aachen},
  pages     = {132 S.},
  year      = {2013},
  language  = {de}
}
@book{Tuennemann2017,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Neo Forma : Experimente. Workshop Formine 2017},
  publisher = {FH Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {978-3-9811003-9-6},
  publisher      = {Fachhochschule Aachen},
  pages     = {92 S. ; zahlr. Ill.},
  year      = {2017},
  abstract  = {Herausgeber: Prof. Dipl.-Ing. Thomas T{\"u}nnemann Katalog Layout; Thilo Haas, Matthias Funken Lektorat: Gerd G{\"o}tschen Titelbild: Kevin Osterkamp Fotos, Yvonne Albers | Fotografin und die jeweiligen Verfasserinnen Impressum | Inhalt 01 Team | Die Besetzung 03 Thomas T{\"u}nnemann | Neo Forma 05 Projekte Carolin Gr{\"u}n | Fare Luce 07 Anke Mannshausen | Tetto Galleggiante 11 Kevin Osterkamp | Azione e Reazione 15 Collin Hackenbroich | Fuori Dentro 21 Lynn Thomas | La Tramoggia 25 Miriam Azzab | l'Incontro 29 Jonas W{\"u}bbe | Le Scale 35 Matthias Funken | Il Laboratorio 39 Moran Dorner | La Via 43 Thilo Haas | Le Scale Vicino 47 Frank Drehsen | Dietro l'Angelo 51 Felix Fischer | La Capella 55 Thomas T{\"u}nnemann | Basilica di Argento 59 Esra Ulutas | Arco Rotondo di Speranza 63 Jana Tillmanns | Punto di Rottura 67 Henri Boh | Il Portale 71 Paul Br{\"u}ggentisch | Silenzio in Movimento 75 Hermann Stuzmann | Scale Antincendio 79 Atmosph{\"a}risches Auf die K{\"u}che | Kulinarisches 81 Carpe Diem | Fotografisches 87},
  language  = {de}
}
@book{Tuennemann2019,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Formine 2019 : In Cima},
  publisher = {FH Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {978-3-9820159-1-0},
  publisher      = {Fachhochschule Aachen},
  pages     = {135 Seiten},
  year      = {2019},
  language  = {de}
}
@book{Tuennemann2022,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Formine 2022 : Concezione I},
  publisher = {FH Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {3-9811003-9-5},
  publisher      = {Fachhochschule Aachen},
  pages     = {116 Seiten},
  year      = {2022},
  abstract  = {Der diesj{\"a}hrige Workshop steht im Zeichen der r{\"a}umlichen Konzeption. Das Definieren und Erfahren des engsten, ganz eigenen Betrachtungsraums, bis hin zur weitl{\"a}ufigen {\"o}ffentlichen Umgebung des Ortes ist hierbei der erste Schritt. Hierzu stehen alle konzeptionellen Werkzeuge - von der Entwicklung vereinzelter Skizzenabfolgen, bis hin zur Collage - in den ersten Tagen des Workshops zur Verf{\"u}gung. Abschließend gilt es, den Aufbau - das „Sichzusammenf{\"u}gen" aus Form, Relation und Material - in einer Plastik zu vereinen.},
  language  = {de}
}
@book{Tuennemann2016,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Formine : Neo Style : Workshop 2016},
  editor    = {T{\"u}nnemann, Thomas},
  address   = {Aachen},
  isbn      = {978-3-9811003-7-2},
  publisher      = {Fachhochschule Aachen},
  pages     = {83 S.},
  year      = {2016},
  abstract  = {Leitung und Konzeption: Thomas T{\"u}nnemann, Professor f{\"u}r Gestalten, FB Architektur, FH Aachen: Mit Beitr{\"a}gen von Miriam Azzab, Larissa Rohr, Janna Steinhart, Felix Reymann, Kevin Osterkamp, Mark Kieckhefer, Pia Bienert, Sarah Schuhmann, Hermann Stuzmann, Silvana Hecklinger, Thorsten, K{\"o}llen, Jesse Dilworth, Silke Wanders, Tomas T{\"u}nnemann und Jan Waschinzki},
  language  = {de}
}
@book{Tuennemann2023,
  author    = {T{\"u}nnemann, Thomas},
  title     = {Formine 2023 : Concezione II},
  publisher = {FH Aachen, Fachbereich Architektur},
  address   = {Aachen},
  isbn      = {978-3-9811003-2-7},
  publisher      = {Fachhochschule Aachen},
  pages     = {112 Seiten},
  year      = {2023},
  abstract  = {Der diesj{\"a}hrige Workshop steht im Zeichen der r{\"a}umlichen Konzeption. Das Erfahren und Definieren des engsten, ganz eigenen Betrachtungsraums, bis hin zur weitl{\"a}ufigen {\"o}ffentlichen Umgebung des Ortes ist hierbei der erste Schritt. Hierzu stehen alle konzeptionellen Werkzeuge - von der Entwicklung vereinzelter Skizzenabfolgen, bis hin zur Collage - in den ersten Tagen des Workshops zur Verf{\"u}gung. All diese {\"U}berlegungen, Konzepte und Entw{\"u}rfe werden in eine Plastik {\"u}berf{\"u}hrt.},
  language  = {de}
}
@article{Starck2007,
  author    = {Starck, Andreas},
  title     = {Projektsteuerung contra Architektengrundleistung oder wer steuert das Baugeschehen?},
  year      = {2007},
  abstract  = {Sieht man sich die umfangreichen Bet{\"a}tigungsfelder f{\"u}r einen Projektsteuerer in den Publikationen der einschl{\"a}gigen Verb{\"a}nde und der Anbieter etwas genauer an, so wird man feststellen, das nach der eigentlichen Projektvorbereitungsphase mit Wirtschaftlichkeitsberechnungen und Sicherstellung der Finanzierung erhebliche {\"U}berschneidungen zu den in der HOAI ausgewiesenen T{\"a}tigkeiten der weiteren Planungsbeteiligten, insbesondere des Geb{\"a}udeplaners, also des Architekten bestehen. Geht man nun davon aus, dass der Bauherr diese Leistungen nicht doppelt bezahlen will, w{\"a}re die logische Konsequenz aus der vollumf{\"a}nglichen Beauftragung eines Projektsteuerers die Verminderung des Auftragsumfangs an den Architekten, verbunden mit einer Honorarminderung f{\"u}r den Architekten. Damit bricht dem Architekten bei eingehender Betrachtung am Ende mehr als die H{\"a}lfte seiner T{\"a}tigkeit und damit seiner Grundlage zur Honorarerzielung weg. Der Bauherr muss in erster Linie seine W{\"u}nsche definieren und sein Budget bestimmen. Er beauftragt die Planungsbeteiligten und nimmt deren Leistungen entgegen. Sein Problem dabei ist, dass er diese Leistung nicht beurteilen kann, weder in Bezug auf deren Vollst{\"a}ndigkeit, noch in Bezug auf deren Inhalt. Hier steht der Projektsteuerer im eigentlichen Sinne. Er muss wissen, was die Planungsbeteiligten f{\"u}r ihr Geld zu leisten haben und wie er diese Leistungen durchsetzen kann. Letztendlich sorgt er dann aber auch daf{\"u}r, das die Architektenleistungen, also Planung und Ausschreibungsunterlagen vom Bauherrn verstanden werden. Warum aber kann der Architekt selbst seine Leistungen und damit den Nachweis der Leistungserf{\"u}llung nicht selbst dem Bauherrn verst{\"a}ndlich und damit glaubhaft machen? Es liegt also letztlich in der Hand der Architekten, ob ihr Bet{\"a}tigungsfeld weiter durch in die Planung und Gestaltung eingreifende, zus{\"a}tzliche Projektsteuerer und Generalunternehmer eingeengt oder sogar weggenommen werden kann. Die Frage, wer das Baugeschehen steuert und lenkt bleibt solange ungekl{\"a}rt, wie die Architekten dieses T{\"a}tigkeitsfeld des Architekten im Baubetrieb weiterhin nur unzul{\"a}nglich ausf{\"u}llen k{\"o}nnen und wollen.},
  language  = {de}
}
@article{StapenhorstZabekHildebrand2018,
  author    = {Stapenhorst, Carolin and Zabek, Magdalena and Hildebrand, Linda},
  title     = {Communication process and information flow in the architectural planning context},
  series = {Creativity game : theory and practice of spatial planning},
  journal   = {Creativity game : theory and practice of spatial planning},
  number    = {6},
  publisher = {University of Ljubljana},
  address   = {Ljubljana},
  doi       = {10.15292/IU-CG.2018.06.066-073},
  pages     = {66 -- 73},
  year      = {2018},
  abstract  = {Against the background of growing data in everyday life, data processing tools become more powerful to deal with the increasing complexity in building design. The architectural planning process is offered a variety of new instruments to design, plan and communicate planning decisions. Ideally the access to information serves to secure and document the quality of the building and in the worst case, the increased data absorbs time by collection and processing without any benefit for the building and its user. Process models can illustrate the impact of information on the design- and planning process so that architect and planner can steer the process. This paper provides historic and contemporary models to visualize the architectural planning process and introduces means to describe today's situation consisting of stakeholders, events and instruments. It explains conceptions during Renaissance in contrast to models used in the second half of the 20th century. Contemporary models are discussed regarding their value against the background of increasing computation in the building process.},
  language  = {en}
}
@article{StapenhorstMotta2018,
  author    = {Stapenhorst, Carolin and Motta, Luciano},
  title     = {Citt{\`a} Olivettiana in Ivrea, Italien},
  series = {Bauwelt},
  volume    = {109},
  journal   = {Bauwelt},
  number    = {22},
  publisher = {Bauverlag BV},
  address   = {G{\"u}tersloh},
  issn      = {0005-6855},
  pages     = {20 -- 31},
  year      = {2018},
  language  = {de}
}
@book{StapenhorstMeerbach2019,
  author    = {Stapenhorst, Carolin and Meerbach, Kerstin},
  title     = {Studie zur forschungsbezogenen Lehre an der Fakult{\"a}t f{\"u}r Architektur der RWTH Aachen},
  publisher = {RWTH Aachen},
  address   = {Aachen},
  doi       = {10.18154/rWth-2019-06163},
  pages     = {140 Seiten},
  year      = {2019},
  language  = {de}
}
@inproceedings{StapenhorstGessnerWoerd2017,
  author    = {Stapenhorst, Carolin and Geßner, Stephan and Woerd, Jan Dirk van der},
  title     = {ArchitecTours - a close look on structures around us},
  series = {Proceedings of IASS Annual Symposia},
  booktitle = {Proceedings of IASS Annual Symposia},
  editor    = {B{\"o}gle, Annette and Grohmann, Manfred},
  publisher = {IASS},
  address   = {Madrid},
  issn      = {2518-6582},
  pages     = {9 Seiten},
  year      = {2017},
  abstract  = {Architects and civil engineers work together regularly during their professional days and are irreplaceable for each other. This co-operation is sometimes made more difficult by the differences in their disciplinary languages and approaches. Structures are evaluated by architects on the basis of criteria such as spatial impact and usability, while civil engineers analyze them more closely by their bearing and deformation properties, as well as by constructive aspects. This diversity of assessment criteria and approaches is often continued in both academic disciplines in the view on structures. Within the framework of the Exploratory Teaching Space (ETS), a funding program to improve teaching at RWTH Aachen University and to promote new teaching concepts, a project was carried out jointly by the Junior Professorship of Tool-Culture at the Faculty of Architecture and the Institute of Structural Concrete at the Faculty of Civil Engineering. The aim of the project is to present buildings in such a way that the differences in perception between architects and civil engineers are reduced and the common understanding is promoted. The project develops a database, which contains a collection of striking buildings from Aachen and the surrounding area. The buildings are categorized according to terms that come from both disciplinary areas. The collection can be freely explored or crossed through learning trails. The medium of film plays a special role in presenting the buildings. The buildings are assigned to different categories of load bearing structures as linear, planar and spatial structures, and further to different types of material, functional programs and spatial characteristics. Since the buildings are located in the direct vicinity of Aachen, they can be visited by the students. This makes them more sensitive to their environment. Intrinsic motivation, as well as implicit learning is encouraged. The paper will provide a detailed report of the project, its implementation, the feedback of the students and the plans for further development.},
  language  = {en}
}
@article{StapenhorstDutto2020,
  author    = {Stapenhorst, Carolin and Dutto, Andrea Alberto},
  title     = {Turin: Industriedenkmal wird Kulturzentrum wird Lazarett},
  series = {Bauwelt},
  volume    = {111},
  journal   = {Bauwelt},
  number    = {13},
  publisher = {Bauverlag BV},
  address   = {G{\"u}tersloh},
  issn      = {0005-6855},
  pages     = {56 -- 59},
  year      = {2020},
  language  = {de}
}
@incollection{Stapenhorst2022,
  author    = {Stapenhorst, Carolin},
  title     = {Multidimensionale Arbeitsbl{\"a}tter},
  series = {Artefakte des Entwerfens, 2. Auflage},
  booktitle = {Artefakte des Entwerfens, 2. Auflage},
  editor    = {Lyngs{\o} Christensen, Rikke and Drach, Ekkerhard and Gasperoni, Lidia and Hallama, Doris and Hougaard, Anna Katrine and Liptau, Ralf},
  publisher = {Universit{\"a}tsverlag der TU Berlin},
  address   = {Berlin},
  isbn      = {978-3-7983-3256-0},
  issn      = {2566-9656},
  doi       = {10.14279/depositonce-8508.2},
  pages     = {202 -- 224},
  year      = {2022},
  abstract  = {K{\"o}nnen wir Skizzenbl{\"a}tter, die gemischte Systeme von Text und Bildanteilen zeigen, als r{\"a}umliche und zeitliche Verdichtung von Reflexionsmilieus verstehen? Wie wirkt sich die durch die r{\"a}umliche Begrenzung des Blatts bedingte gleichzeitige Anwesenheit von Text und Bild aus, welche Wechselwirkungen entfalten sich? Diese Fragenstellungen f{\"u}hren zur Definition der ‚Multidimensionalen Arbeitsbl{\"a}tter', die als geeignetes Medium der Analyse von entwerferischen Denkprozessen verstanden werden. Anhand von f{\"u}nf Beispielen wird beschrieben, wie durch dekompositorische Prozeduren Zeichnungsgenealogien sichtbar gemacht werden k{\"o}nnen, die intensive Auskunft {\"u}ber Entwurfshandlungen geben.},
  language  = {de}
}
@incollection{Stapenhorst2019,
  author    = {Stapenhorst, Carolin},
  title     = {Heimat entwerfen?},
  series = {Das Eigene und das Fremde - Heimat in Zeiten der Mobilit{\"a}t},
  booktitle = {Das Eigene und das Fremde - Heimat in Zeiten der Mobilit{\"a}t},
  editor    = {Hasse, J{\"u}rgen},
  publisher = {Karl Alber},
  address   = {Baden-Baden},
  isbn      = {978-3-495-49029-7 (print)},
  doi       = {10.5771/9783495817568},
  pages     = {215 -- 246},
  year      = {2019},
  language  = {de}
}
@incollection{Stapenhorst2023,
  author    = {Stapenhorst, Carolin},
  title     = {The didactic experimentation on housing modules for cycle travellers},
  series = {MAACC. Modulo abitativo autosufficiente per cicloviaggiatori e camminatori.},
  booktitle = {MAACC. Modulo abitativo autosufficiente per cicloviaggiatori e camminatori.},
  editor    = {Callegari, Guido and De Giorgi, Claudia and Occelli, Chiara L.M. and Palma, Riccardo},
  publisher = {LetteraVentidue Edizioni Srl},
  address   = {Siracusa},
  isbn      = {978-88-6242-778-4},
  pages     = {40 -- 44},
  year      = {2023},
  language  = {en}
}
@book{Stapenhorst2016,
  author    = {Stapenhorst, Carolin},
  title     = {Concept : a dialogic instrument in architectural design},
  publisher = {Jovis},
  address   = {Berlin},
  isbn      = {978-3-86859-364-8},
  pages     = {207 Seiten},
  year      = {2016},
  abstract  = {Concept - this is a key term in architectural discourse. However, all too often it is used imprecisely or merely for marketing purposes. What is a concept actually? This publication moves between design theory and design practice and follows the history of the definition of concept in architecture, leading to the formulation of a specifically instrumental and operative definition. It bases concept in architecture on its strategic potential in design decision-making processes. In the changing profession of the designing architect, decisions are increasingly made in multidisciplinary groups. Concept can serve as a dialogic instrument in the process, making it possible to process heterogeneous information from a range of spheres of knowledge. The effective presentation of selected information becomes a relevant interface in the design process, which has a significant influence on the quality of the design.},
  language  = {en}
}
@incollection{Stapenhorst2016,
  author    = {Stapenhorst, Carolin},
  title     = {Grids. Projektdokumentationen als Denkinstrument},
  series = {Manifestationen im Entwurf},
  booktitle = {Manifestationen im Entwurf},
  editor    = {Schmitz, Thomas H. and H{\"a}ußling, Roger and Mareis, Claudia and Groninger, Hannah},
  publisher = {Transcript},
  address   = {Bielefeld},
  isbn      = {978-3-8394-3160-3},
  doi       = {10.1515/9783839431603-009},
  pages     = {185 -- 216},
  year      = {2016},
  language  = {de}
}
@incollection{Stapenhorst2017,
  author    = {Stapenhorst, Carolin},
  title     = {Robustheit},
  series = {Hiatus. Architekturen f{\"u}r die gebrauchte Stadt},
  booktitle = {Hiatus. Architekturen f{\"u}r die gebrauchte Stadt},
  editor    = {Frank, Ute and Lindenmayer, Verena and Loewenberg, Patrick and Rocneanu, Carla},
  publisher = {Birkh{\"a}user},
  address   = {Basel},
  isbn      = {978-3-0356-1386-5},
  pages     = {155 -- 164},
  year      = {2017},
  language  = {de}
}
@phdthesis{Stapenhorst2012,
  author    = {Stapenhorst, Carolin},
  title     = {The concept as an operant instrument within the interdisciplinarity of the architectural design process},
  publisher = {Politecnico di Torino},
  address   = {Turin},
  pages     = {242 Seiten},
  year      = {2012},
  abstract  = {In the introduction to their book "What is philosophy?" Gilles Deleuze and Felix Guattari deplore the inflationary and trivialised use of the term concept: "Finally, the most shameful moment came when computer science, marketing, design and advertising, all the disciplines of communication, seized hold of the word concept itself and said: 'This is our concern, we are the creative ones, we are the ideas men! We are the friends of the concept, we put in our computers.' " This doctoral thesis shares the concern of Gilles Deleuze and Felix Guattari, but still, it is a thesis in architecture and thus collocated within the field of the representatives of the "ideas men". It engages in architectural design theory, and refers in particular to the investigation of methodological approaches within the design process. Therefore, the thesis will not contribute to the philosophical dimension of the term, but intends to overcome its imprecise use within the architectural discourse, in compliance with Eug{\`e}ne Viollet-le-Duc's admonition relative to vague definitions: "Dans les arts, et dans l'architecture en particulier, les d{\´e}finitions vagues ont caus{\´e} bien des erreurs, ont laiss{\´e} germer bien des pr{\´e}jug{\´e}s, enraciner bien des id{\´e}es fausses. On met un mot en avant, chacun y attache un sens diff{\´e}rent." The term concept in architecture is very often used as pure marketing collateral, it serves to sell an idea, a product, a design. Its functional applicability is reduced to a special manner of illustration, produced as one of the various design presentation documents at the end of the design process. In contrast, the original contribution of this thesis aims to give a precise, instrumental dimension to the term concept: the concept is the expression of a specific logic, capable to guide the decisional sequences of the process and thus to improve the quality of the designed projects. The motivation to define a specific instrumentality of the concept is closely connected to the issue of interdisciplinarity in the architects' profession. The interdisciplinary character of the architectural field is widely accepted and discussed as such, but the thesis intends to give a more precise definition of the various kinds of competences involved by classifying them into either the internal or the external group. The traditional notion of interdisciplinarity, predominantly seen as collaboration between architects and technical experts, and, most notably, the historical, sometimes contentious, relationship between architects and engineers is described. Referring to recent developments, the transformation of the architect's role within the professional sphere, marked by an increasing importance of diverse influences and linked to a growing risk of marginalisation, is illustrated. The thesis describes different ways to adapt to this specific kind of interdisciplinarity, which generally requires the architect's ability to connect and to integrate various contents, different points of view and diverse scales. On the other hand, the big potential which is implicit in the interdisciplinary field is exposed: architects can inform their core competence, the design, by extracting contents of different disciplinary competences, pertaining or not pertaining to their own professional field. They have the possibility to cross fields of external competences in a selective way and by doing so they can build up a corpus of knowledge capable to generate and communicate guidelines and systematic methodologies for their design. At the end, the analysis of these two aspects allows the definition of a more specific professional profile of the architect as specialist of interdisciplinarity. The thesis is concerned with the theories around the design process. The design process is seen as open to inspection and critical evaluation, with major focus on the decisional sequences which characterise it. It concentrates on the process' descriptiveness and the degree of self-conscious approaches applied within it. The importance of regulative, strategic mechanisms is illustrated by testimonies taken from a series of design researches and leads to the functional definition of the figure of the concept as representation of a coherent set of ideas, as generator of a project-specific system of rules and as communicator of decisional strategies. The concept's function is furthermore defined as communicative interface which generates and transmits the system of rules authoritative for all the disciplinary competences involved in the design process, a communicative interface which constitutes a basis of shared convictions capable to increase the efficiency of collaboration. Furthermore, the concept's capacity to explore and elaborate the contents of external disciplines is identified as a possible methodological approach to innovative design thinking. The approach to a specific functional definition of the concept is continued by the description of a series of instruments that are simultaneously generating and communicating it. It is outlined to which degree the concept itself is already the result of an ideational process, collocated within the initial phase of the design proceedings, serving as a guideline to them, but still continuously evolving and adapting in its progression. In addition, it is illustrated how all the diverse instruments of the concept are operational media through which the knowledge transition between different disciplines can occur. The considerations about the concept as operational instrument of design are elaborated with regard to a number of examples of didactical applications that are particularly involved in the development and teaching of specific design methods. These examples illustrate the interrelations between design theory and design education. They are derived from very different schools of architecture and diverse mindsets, but all of them transmit models of conceptual design thinking.},
  language  = {en}
}
@book{PieperBuggertFissabreetal.2019,
  author    = {Pieper, Jan and Buggert, Daniel and Fissabre, Anke and Helmenstein, Caroline and Niethammer, Bernhard and Schindler, Bruno},
  title     = {Sabbioneta: Atlas},
  publisher = {Geym{\"u}ller - Verlag f{\"u}r Architektur},
  address   = {Aachen},
  isbn      = {978-3-943164-21-3},
  pages     = {264 S.},
  year      = {2019},
  language  = {de}
}
@book{PieperBellingerBuggertetal.2013,
  author    = {Pieper, Jan and Bellinger, Reto and Buggert, Daniel and Finkeldei, Ines and Fissabre, Anke and Hake, Verena and Helmenstein, Caroline and Schindler, Bruno and Sch{\"o}tten, Bj{\"o}rn},
  title     = {Messen - zeichnen - verstehen : eine kritische Retrospektive auf Themen, Methoden und Trouvaillen der Baugeschichte von Jan Pieper und seinen Mitarbeitern an der TU Berlin und der RWTH Aachen (1983 - 2013)},
  publisher = {Geym{\"u}ller Verlag f{\"u}r Architektur},
  address   = {Aachen ; Berlin},
  isbn      = {978-3-943164-12-1},
  pages     = {64 S. : zahlr. Ill. und graph. Darst.},
  year      = {2013},
  language  = {de}
}