TY - RPRT A1 - Stapenhorst, Carolin A1 - Van Den Bergh, Wim A1 - Goliasch, Simon A1 - Kühnle, Christian A1 - Läufer, Jonas A1 - Ring, Jana A1 - Schmalt, Nicola T1 - Roman traces for cross-border identification T2 - Design Strategies for Transforming Cross-Border Regions N2 - The research group focuses on the characteristics in the land-and cityscapes of the Drielanden-zone, which contribute to generate common identities, as well as on those features that trigger differences and specificities of the adjacent countries that enrich the perception of the zone. In this research, the instruments of cartography and land survey system serve to detect and localize the fragmented appearance of relevant historic elements. These analytic procedures help to develop strategies for infrastructures and processes that gradually initiate local forms of cross-border tourism. The architectural research displays how top-down and bottom-up interventions can be combined in order to guarantee a sustainable use and development of the considered area. KW - Building Culture KW - Archeology KW - Cartography KW - Land Survey and Measurement Systems KW - Infrastructures Y1 - 2016 ER - TY - CHAP A1 - Stapenhorst, Carolin ED - Palma, Riccardo ED - Dutto, Andrea Alberto T1 - La Land Art come forma di cartografia applicata / Land Art as a Form of Applied Cartography T2 - Tracciare piani, disegnare carte / Sketching plans, drawing maps Y1 - 2016 SN - 978-88-99982-24-9 SP - 195 PB - Accademia University Press CY - Turin ER - TY - BOOK A1 - Stapenhorst, Carolin T1 - Cento Tavole BT - Referenzen als Werkzeuge des Entwurfs Y1 - 2016 N1 - Katalog zur Ausstellung im Reiff-Museum Aachen, 05/12/16 - 12/12/16 PB - RWTH Aachen CY - Aachen ER - TY - CHAP A1 - Gugger, Harry A1 - Stapenhorst, Carolin ED - Geiser, Reto T1 - From city to detail: the sphere of the architect T2 - Explorations in architecture Y1 - 2008 SN - 978-3-7643-8921-5 SP - 50 EP - 53 PB - Birkhäuser CY - Basel ER - TY - CHAP A1 - Di Iorio, Marina A1 - Nobile, Maria Luna A1 - Stapenhorst, Carolin ED - Bovati, Marco ED - Di Franco, Andrea T1 - Martinella BT - Il km verde - misura della terza città T2 - Edifici alti e paesaggio Y1 - 2010 SN - 978-88-387-4434-1 N1 - International PhD Summer Sschool, Bergamo - Porta Sant’ Agostino, 7.-19. Juli 2008 SP - 191 EP - 202 PB - Maggioli CY - Santarcangelo di Romagna ER - TY - CHAP A1 - Pfaff, Raphael A1 - Schmidt, Bernd A1 - Wilbring, Daniela A1 - Franzen, Julian T1 - Wagon4.0 – the smart wagon for improved integration into Industry 4.0 plants T2 - Proceedings of the International Heavy Haul Association STS Conference 2019 N2 - In many instances, freight vehicles exchange load or information with plants that are or will soon be Industry4.0 plants. The Wagon4.0 concept, as developed in close cooperation with e.g. port or mine operations, offers a maximum in railway operational efficiency while providing strong business cases already in the respective plant interaction. The Wagon4.0 consists of main components, a power supply, data network, sensors, actuators and an operating system, the so called WagonOS. The Wagon OS is implemented in a granular, self-sufficient manner, to allow basic features such as WiFi-Mesh and train christening in remote areas without network connection. Furthermore, the granularity of the operating system allows to extend the familiar app concept to freight rail rolling stock, making it possible to use specialised actuators for certain applications, e.g. an electrical parking brake or an auxiliary drive. In order to facilitate migration to the Wagon4.0 for existing fleets, a migration concept featuring five levels of technical adaptation was developed. The present paper investigates the benefits of Wagon4.0-implementations for the particular challenges of heavy haul operations by focusing on train christening, ep-assisted braking, autonomous last mile and traction boost operation as well as improved maintenance schedules Y1 - 2019 N1 - International Heavy Haul Association STS Conference, 10th to 14th June 2019, Narvik, Norway ER - TY - CHAP A1 - Stapenhorst, Carolin ED - Palma, Riccardo ED - Ravagnati, Carlo T1 - Organizzare l’addizione T2 - Atlante di progettazione architettonica Y1 - 2014 SN - 978-88-251-7385-7 SP - 490 EP - 505 PB - CittàStudiEdizioni CY - Mailand ER - TY - THES A1 - Stapenhorst, Carolin T1 - The concept as an operant instrument within the interdisciplinarity of the architectural design process N2 - In the introduction to their book "What is philosophy?" Gilles Deleuze and Felix Guattari deplore the inflationary and trivialised use of the term concept: "Finally, the most shameful moment came when computer science, marketing, design and advertising, all the disciplines of communication, seized hold of the word concept itself and said: 'This is our concern, we are the creative ones, we are the ideas men! We are the friends of the concept, we put in our computers.' " This doctoral thesis shares the concern of Gilles Deleuze and Felix Guattari, but still, it is a thesis in architecture and thus collocated within the field of the representatives of the "ideas men". It engages in architectural design theory, and refers in particular to the investigation of methodological approaches within the design process. Therefore, the thesis will not contribute to the philosophical dimension of the term, but intends to overcome its imprecise use within the architectural discourse, in compliance with Eugène Viollet-le-Duc's admonition relative to vague definitions: "Dans les arts, et dans l'architecture en particulier, les définitions vagues ont causé bien des erreurs, ont laissé germer bien des préjugés, enraciner bien des idées fausses. On met un mot en avant, chacun y attache un sens différent." The term concept in architecture is very often used as pure marketing collateral, it serves to sell an idea, a product, a design. Its functional applicability is reduced to a special manner of illustration, produced as one of the various design presentation documents at the end of the design process. In contrast, the original contribution of this thesis aims to give a precise, instrumental dimension to the term concept: the concept is the expression of a specific logic, capable to guide the decisional sequences of the process and thus to improve the quality of the designed projects. The motivation to define a specific instrumentality of the concept is closely connected to the issue of interdisciplinarity in the architects’ profession. The interdisciplinary character of the architectural field is widely accepted and discussed as such, but the thesis intends to give a more precise definition of the various kinds of competences involved by classifying them into either the internal or the external group. The traditional notion of interdisciplinarity, predominantly seen as collaboration between architects and technical experts, and, most notably, the historical, sometimes contentious, relationship between architects and engineers is described. Referring to recent developments, the transformation of the architect’s role within the professional sphere, marked by an increasing importance of diverse influences and linked to a growing risk of marginalisation, is illustrated. The thesis describes different ways to adapt to this specific kind of interdisciplinarity, which generally requires the architect’s ability to connect and to integrate various contents, different points of view and diverse scales. On the other hand, the big potential which is implicit in the interdisciplinary field is exposed: architects can inform their core competence, the design, by extracting contents of different disciplinary competences, pertaining or not pertaining to their own professional field. They have the possibility to cross fields of external competences in a selective way and by doing so they can build up a corpus of knowledge capable to generate and communicate guidelines and systematic methodologies for their design. At the end, the analysis of these two aspects allows the definition of a more specific professional profile of the architect as specialist of interdisciplinarity. The thesis is concerned with the theories around the design process. The design process is seen as open to inspection and critical evaluation, with major focus on the decisional sequences which characterise it. It concentrates on the process’ descriptiveness and the degree of self-conscious approaches applied within it. The importance of regulative, strategic mechanisms is illustrated by testimonies taken from a series of design researches and leads to the functional definition of the figure of the concept as representation of a coherent set of ideas, as generator of a project-specific system of rules and as communicator of decisional strategies. The concept's function is furthermore defined as communicative interface which generates and transmits the system of rules authoritative for all the disciplinary competences involved in the design process, a communicative interface which constitutes a basis of shared convictions capable to increase the efficiency of collaboration. Furthermore, the concept's capacity to explore and elaborate the contents of external disciplines is identified as a possible methodological approach to innovative design thinking. The approach to a specific functional definition of the concept is continued by the description of a series of instruments that are simultaneously generating and communicating it. It is outlined to which degree the concept itself is already the result of an ideational process, collocated within the initial phase of the design proceedings, serving as a guideline to them, but still continuously evolving and adapting in its progression. In addition, it is illustrated how all the diverse instruments of the concept are operational media through which the knowledge transition between different disciplines can occur. The considerations about the concept as operational instrument of design are elaborated with regard to a number of examples of didactical applications that are particularly involved in the development and teaching of specific design methods. These examples illustrate the interrelations between design theory and design education. They are derived from very different schools of architecture and diverse mindsets, but all of them transmit models of conceptual design thinking. KW - methodologies KW - instruments KW - interdisciplinarity KW - architectural design process KW - design theory Y1 - 2012 PB - Politecnico di Torino CY - Turin ER - TY - BOOK A1 - Stapenhorst, Carolin T1 - Concept : a dialogic instrument in architectural design N2 - Concept - this is a key term in architectural discourse. However, all too often it is used imprecisely or merely for marketing purposes. What is a concept actually? This publication moves between design theory and design practice and follows the history of the definition of concept in architecture, leading to the formulation of a specifically instrumental and operative definition. It bases concept in architecture on its strategic potential in design decision-making processes. In the changing profession of the designing architect, decisions are increasingly made in multidisciplinary groups. Concept can serve as a dialogic instrument in the process, making it possible to process heterogeneous information from a range of spheres of knowledge. The effective presentation of selected information becomes a relevant interface in the design process, which has a significant influence on the quality of the design. Y1 - 2016 SN - 978-3-86859-364-8 PB - Jovis CY - Berlin ER - TY - CHAP A1 - Stapenhorst, Carolin ED - Frank, Ute ED - Lindenmayer, Verena ED - Loewenberg, Patrick ED - Rocneanu, Carla T1 - Robustheit T2 - Hiatus. Architekturen für die gebrauchte Stadt KW - Typologien KW - Stadtentwicklung KW - Urbanismus Y1 - 2017 SN - 978-3-0356-1386-5 SP - 155 EP - 164 PB - Birkhäuser CY - Basel ER -